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Rippling and Saving the Seed<\/h2>\n
The seed capsules first had to be removed. Bundles of flax were drawn through an iron-toothed comb known as a ripple or rippling comb, which stripped the seed heads from the stems. The seed was valuable in its own right. Some was saved for the following year\u2019s crop, while surplus flaxseed could be pressed for linseed oil. Linseed oil had numerous uses, including paints, wood treatments and printing inks.\u00a0Only after the seed had been removed could attention turn to the fibers hidden within the stalk.<\/p>\n
Retting: Loosening the Fiber<\/h2>\n
The usable linen fibers lie between the woody center of the stalk and its outer covering. They are held in place by natural plant substances that must be partially broken down before the fibers can be separated. This was accomplished by retting. Flax might be spread thinly over a meadow and left exposed to dew and rain for several weeks. This method, known as dew retting, allowed moisture and microorganisms to gradually loosen the fibers. A faster method was water retting, in which bundles were submerged in a pond, trough or slowly moving stream. Water retting worked more quickly but could produce a notoriously unpleasant smell. The skill lay in knowing when to stop: too little retting made the fibers difficult to separate, while too much could weaken them. After retting, the flax was spread out to dry thoroughly. Only then was it ready for the succession of mechanical processes that transformed a stiff plant stalk into something resembling soft hair.<\/p>\n
Breaking the Stalks<\/h2>\n
The dried flax was first passed through a flax break or brake. This large wooden device had interlocking wooden blades. The operator repeatedly raised and lowered the upper section over a handful of flax, crushing the brittle woody portions of the stalk without destroying the long fibers. The broken fragments of the woody stem were often called shives or boon. Much of this debris fell away during breaking, but the fibers still required further cleaning.<\/p>\n Next came scutching. A handful of broken flax was held against a vertical scutching board while it was struck and scraped with a broad wooden scutching knife or sword. The repeated blows knocked away more of the remaining woody material and began separating the long flax fibers into clean strands. It was dusty, repetitive work, but the transformation by this stage was considerable: what had begun as a dry stalk was becoming a mass of long, silky fibers.<\/p>\n The flax was then hackled or heckled by drawing it repeatedly through upright iron combs. Coarse hackles were used first, followed by increasingly fine ones. Hackling removed the last fragments of stalk, untangled the fibers and separated the longest fibers from the shorter ones. The long, smooth fibers\u2014sometimes called line flax\u2014were used for finer linen. The shorter fibers left behind were called tow and could still be spun into coarser yarn suitable for sacks, work cloth, rope and other utilitarian textiles. The cleaned long fibers were gathered into bundles known as stricks until they were ready to be spun.<\/p>\n Spinning was often carried out during the winter months, when outdoor agricultural work had slowed. Women and girls commonly did much of the household spinning, although textile production as a whole involved the labor of men, women and children. Because flax fibers are long and smooth, they were normally arranged on a distaff beside the spinning wheel. The spinner drew out a few fibers at a time and twisted them into a continuous thread. Fine flax was generally spun damp or wet. Moisture helped smooth the fibers and bind their loose ends into a finer, stronger thread. A flax spinning wheel was therefore often equipped with a small water container so that the spinner could continually wet her fingers. Once spun, the yarn might be wound onto reels or into skeins and boiled or washed before weaving. William Hincks\u2019s eighteenth-century illustrations actually show these activities occurring together in a household workshop.<\/p>\n Spun linen yarn then had to be warped and woven. Some families possessed their own looms, while others sent spun yarn to a professional weaver. Surviving records show that textile production could be a cooperative process: a household might grow the flax, have it dressed by a specialist, spin it at home, and then either weave it themselves or hire a weaver to make the cloth. The cloth that first came from the loom was not necessarily the snowy white linen we associate with finished household linen. Newly woven linen was commonly called brown linen because of its natural grey-brown color.<\/p>\n Repeated washing, alkaline solutions made from wood ashes, exposure to sunlight and moisture on a bleaching green gradually whitened the cloth. Commercial linen districts eventually developed specialized bleach works, but bleaching could also be carried out on a much smaller scale. The entire journey from planting flax to wearing finished linen stretched over many months and could easily extend into the following year.<\/p>\n Producing linen required an extraordinary amount of labor. Clothing and household textiles were therefore expected to last. Garments were altered, patched, handed down and reused. Worn cloth could become aprons, towels, cleaning rags or other household material. Only when linen was finally too ragged for further use did it enter another important trade: papermaking. Before wood-pulp paper became common in the nineteenth century, good paper was made largely from linen and other textile rags. Old linen was collected, sorted, cleaned, pulped and formed into new sheets of paper. That makes Richard Frame\u2019s 1692 poem particularly apt. Flax came from the earth, became clothing, then became paper\u2014and eventually returned to the earth.<\/p>\n Four years later, Pennsylvania poet John Holme made the same connection in his 1696 A True Relation of the Flourishing State of Pennsylvania <\/em>(apparently not published until 1847). After describing the local paper mill and its need for rags, he ended with an appeal that must have been immediately understandable to his readers: \u201cKind friend, when thy old shift is rent, Let it to th\u2019 paper mill be sent.\u201d<\/p>\n Soil preparation.<\/strong> Flax required well-prepared, fertile soil. Fields were plowed and harrowed finely before the small seeds were broadcast in spring.![\"\"](\"http:\/\/www.karenfurst.com\/blog\/wp-content\/uploads\/William-Hincks-1791-Plate-IV-representing-the-common-Method-of-Beetling-Scutching-and-Hackling-the-Flax-Yale-Center-for-British-Art.jpg\")
Scutching<\/h2>\n
![\"\"](\"http:\/\/www.karenfurst.com\/blog\/wp-content\/uploads\/Linton-Parks-Flax-Scutching-Bee-1885-2000x1228.jpg\")
Hackling<\/h2>\n
Spinning Flax into Linen Thread<\/h2>\n
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From Yarn to Linen Cloth<\/h2>\n
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Linen Was Too Valuable to Waste<\/h2>\n
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Flax Production at a Glance<\/h2>\n
\nPlanting.<\/strong> Seed was sown densely when flax was intended for linen. Close planting discouraged branching and produced longer, straighter fiber.
\nHarvesting.<\/strong> When the plants matured and began to yellow, they were pulled from the soil by the roots and tied into bundles.
\nRippling.<\/strong> Dried plants were drawn through a coarse iron comb to strip away the seed capsules. Seed was saved for planting or pressed for linseed oil.
\nRetting.<\/strong> Flax was exposed to moisture in a field or submerged in water until the tissues binding the fiber to the stalk began to decompose.
\nDrying.<\/strong> Retted flax was thoroughly dried before mechanical processing.
\nBreaking.<\/strong> A flax break crushed the woody stem into fragments.
\nScutching.<\/strong> A wooden scutching knife knocked and scraped away the broken pieces of stalk.
\nHackling.<\/strong> Fibers were drawn through progressively finer iron combs. Long fibers were reserved for fine linen; shorter tow was used for coarse yarn.
\nSpinning.<\/strong> Prepared flax was placed on a distaff and spun, usually with dampened fingers, into linen yarn.
\nWeaving.<\/strong> The yarn was wound, warped and woven into cloth either at home or by a specialist weaver.
\nBleaching and finishing.<\/strong> Newly woven linen could be washed and repeatedly exposed to water, alkaline solutions and sunlight until the desired degree of whiteness was reached.<\/p>\nLearn More, Offsite Links<\/h2>\n